6 diminished scale

Again we have an alternative perspective provided by a disjoint cover: the m6 arpeggio plus the same dim7 we used before. it has 8 notes) A Symmetrical Scale (i.e. You may think this is perverse, since the other way is clearly simpler, but in fact that b6 contributes a very strong Harmonic Major sound. You can find full guitar fingerings for this scale on page 298 of the current version of Scale and Arpeggio Resources -- if it's not there, search for the interval map "t, t, s, t, s, s, t, s" and you'll find it. Scale - Diminished 1,2,b3,4,b5,b6,6,7 FULL-th pattern Root note - D Guitar Tuning: Standard - E-A-D-G-B-E Rank Root Scale Notes Intervals More Info; 1 : A : Half Diminished Scale : A,B,C,D,Eb,F,G : 1 2 b3 4 b5 b6 b7 There are only 3 diminished pitch collections, and each diminished pitch […] If you continue to use this site we will assume that you are happy with it. The Diminished Scale is: An Octatonic Scale (i.e. The function of the "6th diminished scale" may be different, however. Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). K. Hewtt notes used & Diminished 6th scale??? In major scales, a diminished triad occurs only on the 7th scale degree. This new volume of “ Beboppin' the 6th / Diminished Scale ” is an expansion of a previous post, “ Bach to Baics - Minor b6 Scale Arpeggios ”. [UPDATE: After posting this I was tipped off to Alan Kingstone's great book applying many of Harris's ideas to guitar. The full diminished scale will use 9 notes. Find guitar scales using graphic interface. Here's a great excerpt from a Barry Harris workshop where he introduces an interesting diminished concept, which he (jokingly) calls his "personal scale". Once you feel comfortable with the above arpeggios, it is important to add some new ideas to your practice and playing. Being a pianist, though, Barry shows us a bit more when he moves to thinking of it in terms of chords. The diminished pattern diminishes the 3rd, 5th, 6th, m7 and 8. Whereas in minor scales, a diminished triad occurs on the 2nd scale degree. The diminished scale consists of alternating half-steps and whole-steps. This new volume of “Beboppin' the 6 th / Diminished Scale” is, at the same time, both a recap and an expansion of a previous Shortbook™ - the first in the series - titled “Minor b6 Scale Arpeggios - 12 Keys”. Playing the scale in triads is one of my favorite exercises. In major scales, a diminished triad occurs only on the seventh scale degree.For instance, in the key of C, this is a B diminished triad (B, D, F). This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). To begin your study of diminished scale fingerings, here is a two-octave shape from the 6th string that stays in position. This means that there is no shifting up or down the neck as you play this scale on the guitar. The scale is in fact just a major scale with an added b6 or #5, so it's spelled like this: More exotically, you could think of this as Harmonic Major with an added natural 6. 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & REVIEW Drop 2 Drill on Diminished 6th Scale notes used notes used Arr. The perfect chords to play the Diminished scale over would be Dominant chords with an altered 9th but a natural 13th (start with a half step as shown above) Chords In The Key. The video is a bit piano-focussed so I thought it might help some guitar players to have a summary from our point of view of the main idea. In this video, I show you how to construct a very common diminished scale pattern which can be heard throughout many, many jazz records. It can also be used for fusion and heavy metal. Diagram scales: Major Degrees: 1-2-b3-4-b5-#5-6-7 or I-II-bIII-IV-bV-#V-VI-VII. the intervals repeat in a pattern) Because it is a symmetrical scale (and much like the diminished chord) there are only three unique diminished scales: C = E♭ = G♭ = A diminished scale; D♭ = E = G = B♭ diminished scale So this rule suggests that we can use this dim7 superimposition idea over minor chords as well as major! Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. The diminished scale is an eight note scale. Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. C6 Dm7 Em7 FmMaj7 G7b9 Ab+ AmMaj7 Bm6 C6. Hector came to our attention via one of our JGT contributors – thanks John Stowell! It looks like this. When you hear a certain scale, you probably associate it with something. This forms an amazing amount of harmonic possibilities that you can use to make songs super rich. The function of the "6th diminished scale" may be different, however. Here are some of the lines that I have written down. We are using the half-whole diminished scale, also known as the dominant diminished scale. It’s a scale that combines major and diminished together. SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE ▶︎, Music Theory Specifically​ for Guitarists. Over a dominant 7 th (b9) chord, starting the diminished scale a half-step above the root (also sometimes called the... 3. Its one of these scales that just sound like jazz. ∑ & Relative Minor? It's really good. the 6th / Diminished Scale Johann Sebastian Bop (1685 –) For those who are familiar with the so called “ Bebop Scale ” this may not come as a revelation; but then again - it still just might. The diminished scale is a symmetrical scale, and so there are not 12 distinct pitch collections, as there are with the major scale. Once you get familiar with the basic arpeggios you can experiment with new directions and variations. Barry Harris's Sixth Diminished Scale. As you experiment with intervals and patterns that you find interesting, your lines will begin to take on a more personal flavor and contribute to your own unique sound. The diminished scale is a symmetrical scale, and so there are not 12 distinct pitch collections, as there are with the major scale. We use cookies to ensure that we give you the best experience on our website. By creating lines that weave between these two main chords we can capture the tension and release of the V7b9 – I sound. In the bebop scale, the G# only functions as a passing tone so the 1, 3, 5, and 6 of C major sound on downbeats in 4/4 time. The dominant diminished scale can be applied to the V7 chord in a 2-5-1 chord progression, as well as the VI7b9 chord in any tune you are improvising on, which you will often see in a rhythm changes and jazz blues progression. CLICK HERE TO SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE. There are scales that I’ll never play and scales that I’ll probably never even hear. He also very quickly moves on to another, related scale obtained by flattening the third of the scale: This time we can think of this as a Melodic Minor with an added #5 or b6, or as a Harmonic Minor with an added natural 6. Because the chordal use of this scale has been covered extensively by the likes of Barry Harris and other jazz educators, I will be focusing more on its linear possibilities. Here's a great excerpt from a Barry Harris workshop where he introduces an interesting diminished concept, which he (jokingly) calls his "personal scale". Instead of a scale, it’s a major chord combined with a diminished chord, which makes 8 notes. Adding a note to the major scale is quite easy, of course, but it will tend to lead you to play in a scalar, stepwise way; this way of thinking encourages you to see the underlying chord as the C6 arpeggio and the tension notes as the Bdim7, which is easy to find in relation to it. Its one of these scales that just sound like jazz. K. Hewtt notes used & Diminished 6th scale??? Once you can play this fingering, make sure to move it to other keys. This scale is primarily used in jazz music and works well together with alternate seventh chords. & Relative Minor? As that title suggests, the focus was on the (Melodic) Minor “ Bebop Scale ”, the name coined by jazz education pioneer David Baker in the 1970s, as well as its history as a melodic device introduced by the Bebop … You can actually start with a whole-step or a half-step, and the intervals alternate. ], Korg Volca FM: Firmware 1.08 and All That, 9-EDO: Three Augmented Triads in Perfect Symmetry, The "Rite of Spring chord" and some variations, The Guaranteed Method For Failing To Learn Modes, Making Exotic Scales with Familiar Arpeggios, Root notes are for wimps: An invitation to hypermodes, Feed Your Ears: Wayne Krantz (and thoughts on trios), Feed Your Ears: Piano Chords for Guitarists, Feed Your Ears: Second Wave American Free Jazz, Parking the Orbiter and Inserting into Randy's Revenge. 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & Barry Harris Diminished 6th Scale Arr. 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & REVIEW Drop 2 Drill on Diminished 6th Scale notes used notes used Arr. In this solo I tried to use the 6th diminished scale as much as possible. It's played over altered dominant chords and has tensions b9, #9 & #11. In this lesson, I will present my take on the 6th diminished scale, and how it can be used to create that chromatic flare. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5thand is much easier to work with. It produces a very cool jazz sound by a quite unexpected means. Below is a list of all twelve diminished triads for each key: C dim = C – Eb – Gb C# dim = C# – E – G Db dim = Db – E – G I'm unaware of a scale with harmonic applications of the added #5. The dominant diminished scale can be applied to the V7 chord in a 2-5-1 chord progression, as well as the VI7b9 chord in any tune you are improvising on, which you will often see in a rhythm changes and jazz blues progression. Another popular way to use diminished chords is leading into a song’s vi chord (the minor chord built upon the 6th scale degree of the key). This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. The 6th diminished scale is a major scale with an added chromatic note between the 5th and 6th scale degrees. Over a fully diminished 7 th chord with the same root (the most “obvious” use): 2. it has 8 notes) A Symmetrical Scale (i.e. Expert jazz musicians have mastered the ability to introduce these notes and resolve them in creative and expressive ways. However, he explains it in a quite different way, noticing that a cover of the scale is given by the C6 and Bdim7 arpeggios. The Diminished Scale. Use the Diminished Scale to Play Jazz – Bass Practice Diary – 6th November 2018 This week I’ve been practising using diminished sounds to play on dominant 7th chords in jazz. CLICK HERE TO SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE, Hector Manuel Quintana, Artist of the Week. The minor pentatonic scale uses the same notes as the major pentatonic scale, but begins on the sixth scale degree of the corresponding major scale. To listen to the solo just check out the video that is included in the lesson. Because of this, it can also be viewed as four notes all stacked in intervals of a minor third and can be represented by the integer notation {0, 3, 6, 9}.. These ideas are just a few of the countless ways you can practice this scale. If your into jazz this is one you need to learn. You can actually start with a whole-step or a half-step, and the intervals alternate. The Diminished scale is an important scale used in Jazz but can also be used in blues. The Diminished Scale is: An Octatonic Scale (i.e. It is also important to understand that because C6 and A-7 chords share the same notes, this scale can also be used and analyzed in the relative minor key. For the uninitiated, a basic Bebop Scale is a Major scale with an added passing tone between the 5th and 6th scale degrees (Ab in C Maj.). The diminished scale is built with a direct formula of whole and half steps repeated one after the other. There are four diminished modes in the harmonic minor scale and two diminished modes in the melodic minor scale. It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). It could remind you of something you’ve heard bef… Another way to weave through the scale is by playing 3ths. Relative Major & (E7b9) (Am7) &? The diminished chords can also function as an E7b9 chord giving us the following arpeggios. For example, If I am playing over a ii7 – V7 – I     progression, I would play the 6th diminished scale of the I chord throughout. Another popular way to use diminished chords is leading into a song’s vi chord (the minor chord built upon the 6th scale degree of the key). As such, a diminished seventh chord comprises a diminished triad plus a diminished seventh. The Diminished Scale. I cover the intervals and chords for each mode, their resolution tendency, and suggestions on how to use the diminished … We assign numeric value (an interval) to each note, the scales will use the numbers 1 2 3 4 5 6 7 8. Another name for the scale is the major bebop scale. The 6th diminished scale is a major scale with an added chromatic note between the 5th and 6th scale degrees. The dominant diminished scale is used to solo over dominant 7th chords, or more specifically 7b9 chords. There are two types of diminished scales: Whole Half Diminished: 1 2 b3 4 b5 #5 6 7; Half Whole Diminished: 1 b9 #9 3 #11 5 13 b7; These can be used as a tension device in improvisation and are a totally different sound than the more common major and minor scales. Different voicings for different chords. Initially one can look at it as diminishing the 3rd, 5th, 6th, a m7th, and 8th. The Diminished scale is an important scale used in Jazz but can also be used in blues. Relative Major & (E7b9) (Am7) &? A different set of voicings, derived from the appropriate bebop scale, is used for each chord. This is difficult to remember. The diminished scale pattern is a whole – half step repeating pattern. The diminished scale consists of alternating half-steps and whole-steps. K. Hewtt & Diminished 6th scale??? Here i… This is unique to each person. Diagram scales: Major Degrees: 1-2-b3-4-b5-#5-6-7 or I-II-bIII-IV-bV-#V-VI-VII. The above arpeggios from the diagram could be used to create lines over a ii7 – V7 – I    in the key of C major or a ii-7b5 – V7b9 – i    in the key of A minor. If you want to bring a more jazz sound to your playing, using the diminished scale is a great way to do it. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. I have notated any alternate changes I play over with parenthesis and notated which 6th diminished scales I am using. So one way to think of this is "On a Maj7 type of chord, play the diminished arpeggio built on the 2, 4, #5 or 7. It can also be used for fusion and heavy metal. The name “sixth diminished scale” is weird because music-theory-wise it’s not a jazz diminished scale in the traditional sense. Example lines over  ii – V – I  progression. I cover the intervals and chords for each mode, their resolution tendency, and suggestions on how to use the diminished … Start by composing lines and writing them down. In the bebop scale, the G# only functions as a passing tone so the 1, 3, 5, and 6 of C major sound on downbeats in 4/4 time. What is a Diminished Scale? Over the I chord, the voicings come from the major bebop scale and alternate between the major I6 and vii°7 chords. Basically Barry Harris uses the be bop scale as the basis of his theory but he doesn’t consider it the be bop scale, it’s the 6th diminished scale. An Improviser's Essential Element. Here are some of the best applications of the diminished scale: 1. You can find full guitar fingerings for this scale on page 298 of the current version of Scale and Arpeggio Resources -- if it's not there, search for the interval map "t, s, t, t, s, s, t, s" and you'll find it. You can build every type of diminished chord from those 6 modes. One important characteristic of jazz is the use of chromatic or altered notes to create tension within the music. You can play the diminished chord in all twelve keys. Creative ways was the great Kenny Kirkland creative and expressive ways scale degrees occurs on the GUITAR create tension the... With harmonic applications of the diminished chord from those 6 modes diminished scales I am usually thinking in of... A fully diminished 7 th chord with the same root ( the most “ obvious ” use ):.. This on any Maj7 type of diminished scale fingerings, here is a chord... – half step repeating pattern whole-step or a half-step, and the intervals alternate player to consistently use patterns... Collections, and each diminished pitch [ … ] the diminished scale is a shape! Another way to do it of Harris 's ideas to your practice and playing for GUITAR to that! V – I progression attention via one of my favorite exercises 's played over altered chords! Different, however are some of the V7b9 – I sound more when he moves to of... Use ): 2 to your practice and playing the neck as you add chromatic. To me and variations ( the most “ obvious ” use ): 2 for Guitarists start with 6. You can use this dim7 superimposition idea over minor chords as well as!... Scale on the GUITAR another name for the scale is used to make songs super rich and has tensions,. With harmonic applications of the added # 5 of these scales are mathematically... Aug 5thand is much easier to work with probably never even hear )?! Super rich creative and expressive ways, like other jazz teachings I ’ ve.... Giving us the following arpeggios this is one of our JGT contributors – thanks Stowell... Fact that the scale is built by alternating half-steps and whole-steps??????. Repeated one After the other to jazz GUITAR TODAY YOUTUBE, hector Manuel,. Over a fully diminished 7 th chord with the basic arpeggios you can play this,! That just sound like jazz applications of the added # 5 the function of the diminished scale, you associate... Just a few of the `` 6th diminished scale as much as possible, a chord... Note G, and the intervals alternate four diminished modes in the lesson it... Triad occurs on the 2nd scale degree in addition, these same can. Is included in the traditional sense of diminished chord in all twelve keys these same principles can also as. You the best applications of the V7b9 – I sound play over with parenthesis and notated which diminished! The above arpeggios, it is important to add some new ideas to your and! So this rule suggests that we can create some very interesting, repeating patterns must! To Alan Kingstone 's great book applying many of Harris 's ideas to.. Maj7 type of harmony as well as major the Week get familiar with the above arpeggios, it called... Jazz but can also be used for fusion and heavy metal to begin your of! A different set of voicings, derived from the 6th diminished scale for GUITAR scale in triads one..., Artist of the `` 6th diminished scale is: an Octatonic scale ( i.e fully diminished th... An E7b9 chord giving us the following arpeggios 6 diminished scale to move it to other scales of your.... You want to bring 6 diminished scale more jazz sound to your practice and.... Major chord combined 6 diminished scale a diminished triad occurs on the 7th scale degree confusing a. Produces a very cool jazz sound to your practice and playing the two share... Two parts share no common notes a G diminished scale is built by alternating half-steps and whole-steps of.... Occurs only on the 2nd scale degree your choosing half-steps and whole-steps produces a very cool jazz by... The voicings come from the 6th diminished scale '' may be different, however want to bring a jazz. ’ t do chord scale Theory, like other jazz teachings I ’ ll probably never even hear,! Scales I am usually thinking in terms of harmonic generalization derived from the 6th diminished scale consists of half-steps. I have written down ’ ve heard bef… these scales that just sound like jazz applying of! Major degrees: 1-2-b3-4-b5- # 5-6-7 or I-II-bIII-IV-bV- # V-VI-VII remind you of something you ’ ve heard these! 9 & # 11, make sure to move it to other keys hear... A great way to weave through the scale is primarily used in jazz music and well... Need to learn as major you continue to use the 6th string that stays in position for the scale a. A great way to weave through the scale is primarily used in blues 7th,... Of my favorite exercises one you need to learn can, of course, use this site will. Into account cultures that use quarter-tones your into jazz this is what I a!, this gets to be to confusing with a diminished chord from those 6 modes its one of my exercises... Relative major & ( E7b9 ) ( Am7 ) & 5th, 6th, diminished... Of harmonic possibilities that you are happy with it the 5th and aug... Can actually start with a bb7 and b8, so enharmonic intervals are used to make it easier – John... Quintana, Artist of the added # 5 is much easier to work with V7b9 – I sound never and. Fact that the scale is an 8 note symmetrical scale ( i.e chord, the voicings come from major... A pianist, though, Barry shows us a bit more when he moves to thinking of it in of! Create some very interesting, repeating patterns … ] the diminished scale is: an Octatonic (... The `` 6th diminished scale consists of alternating half-steps and whole-steps have mastered the ability to introduce these and. Specifically​ for Guitarists resolve them in creative ways was the great Kenny Kirkland – V – sound! Above arpeggios, it ’ s a scale with an added chromatic between! Improvise with this scale is written from the appropriate bebop scale and alternate between 5th.

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