As the name implies, the scale is constructed of alternating whole and half steps and sounds very sophisticated and colorful. Diminished Half Whole: Essential Info. In the case of this scale, a 1/2 step interval followed by a whole step interval. A summary, THREE OCTAVE THREE NOTE PER STRING MINOR BLUES SCALES. The symmetrical diminished scale, also known as the half-whole or whole-half scale, is easy to learn. This means that the scales are constructed using a repeated pattern of half and whole steps. The dominant diminished scale is also known as the half whole dominant scale. If you look at the scale, every other note is a part of the chord. YOU'RE AWESOME! Half diminished scale From Wikipedia, the free encyclopedia The half diminished scale is a seven-note musical scale. If you visualize it running up a single string you can see that it is made of alternating 1 and 2 fret gaps. In other words, learn the scale construction first before getting bogged down with fingerings. Unlike most scales which generally contain seven notes, the half/whole diminished scale is an eight note scale. The “whole/half diminished scale” works over a fully diminished seventh chord. the “auxiliary diminished dominant” or even the “auxiliary diminished blues” (not to be confused with the Mixo-Dorian blues scale for soloing over the blues). However, it is difficult to remember the appropriate applications for the scale. Start by learning the intervals fo… Dominant Diminished Scale (Half/Whole) The following diagram shows a common fingering for the C […] A whole step/half step diminished scale applies to diminished chords. It’s an eight note or octatonic scale that alternates between half-steps and whole-steps. THE ROOT NOTE IN RED AS OPPOSED TO NUMBERS ALLOWS US TO TRANSPOSE ANYWHERE. The half-whole diminished scale is an 8 note symmetrical scale. As you can see, the formula for the scale is W-H-W-H-W-H-W. Notice that since this scale is symmetrical, and it is the same every minor third. Write a comment. There are two diminished scales called the half-whole and whole-half. Diminished Scale (Half Whole) Diminished scales can be a lot of fun but these are one of those ones you really should know WHY you are learning it before you do - or you might find yourself wasting a whole lot of time learning something you don't need! [citation needed], https://en.wikipedia.org/w/index.php?title=Half_diminished_scale&oldid=936350678, Articles with unsourced statements from July 2009, Creative Commons Attribution-ShareAlike License, This page was last edited on 18 January 2020, at 07:40. Like its brother, the fully diminished scale, the dominant diminished scale is octatonic in nature, and exists only in a few forms. Each scale connotes something different. Whole-Half Diminished Scale Diminished Scale Diminished Whole-Half … Hope you enjoy! Even more so if you take into account cultures that use quarter-tones. KEEP IT METAL! Before print or download please save it first. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). The term “half-whole scale” refers to the fact that the scale is built by alternating half-steps and whole-steps. Firstly, we are going to learn each scale on one string, so that you can clearly see the pattern. Diminished Half Whole: Essential Info The Diminished Scale is a symmetrical scale and alternates between a semitone and a tone. In this lesson we'll take a look at the Half Whole scale, how to play it, where to use it and stuff like that. the half-whole diminished scales are often referred to as dominant diminished scales, because their application is generally for use with dominant chords. In a strict definition of a diminished scale, it always starts with a whole step when ascending the scale. Home > Symmetric Scales > Half-Whole Diminished Scale > D HW dim scale all-piano-scales.com en Français. The Diminished Whole Half scale is also known by the following names: Whole Half. As the name implies, the scale is constructed of alternating whole and half steps and sounds very sophisticated and colorful. When you hear a certain scale, you probably associate it with something. How to practise a diminished scale. It's played over altered dominant chords and has tensions b9, #9 & #11. Dominant Diminished Scale (Half/Whole) The following diagram shows a common fingering for the C […] FREE RESOURCES FOR SEVEN STRING GUITAR- Everything, FREE RESOURCES FOR EIGHT STRING GUITAR- Everything, THREE NOTE PER STRING MINOR BLUES SCALES. The whole-half diminished scale is commonly used in conjunction with diminished harmony (e.g., the E dim7 chord) while the half-whole scale is used in dominant harmony (e.g., with an F ♭9 chord). When you know what KEY is being played, knowing the intervals permits one to transpose the specific note(s) to the correct location on ANY string... CLICK HERE FOR A FULL LIST OF ALL THE FREE GUITAR RESOURCES ON MY BLOG! Because of its interval construction, this scale is also referred to as the half-whole diminished scale. The half/whole diminished scale is what we call a symmetrical scale, meaning it is based on a repeating pattern of specific intervals. Learn about the Whole Half Diminished Scale on Guitar FREE eGuide! The underlined notes are the chord tones of the scale and the additional notes are almost like passing notes. First off, let me start by saying that the Whole-Half and Half-Whole are not different entities, they only reflect the way you choose to see it, in theory. The D half-step/whole-step diminished scale would be used with D7alt, F7alt, Ab7alt and B7alt chords. Show me chords that sound good with a D Diminished Whole Half scale. AWESOME CONTENT! The half-whole diminished scale is an 8 note symmetrical scale. The “half/whole diminished scale” works over a dominant seventh with a flat nine and/or sharp nine chord. Half-Whole Diminished Scale (Starts at 4:12) Next up, we've got the half-whole diminished scale (or H/W diminished for short)! Home > Symmetric Scales > Half-Whole Diminished Scale > D HW dim scale. G Whole Tone Scale Fingerings. Whole-Half Diminished Scale. It could remind you of something you’v… It is the sixth mode of the ascending form of the melodic minor scale (or jazz scale). * The second example to the right identifies the dominant chords most … Whole-half is a useful name as it spells out the construction of intervals; start from any root note and go up a whole tone, then a semitone, then a whole tone and a semitone. Some also refer to this as the double diminished scale because it can be conceptualized as alternating between two diminished arpeggios (C, Eb, F#, A and C#, E, G, Bb). If you visualize it running up a single string you can see that it is made of alternating 1 and 2 fret gaps. The so-called "half-whole" diminished is not a "real" scale – it's just a way to quickly teach and visualize the specific diminished scale that gets applied to a dominant 7 b9 natural 13 chord. This is unique to each person. The term “half-whole scale” refers to the fact that the scale is built by alternating half-steps and whole-steps. Home > Symmetric Scales > Whole-Half Diminished Scale all-piano-scales.com en Français. In summary, the whole tone, half-whole diminished and altered scales are simply some different options you have available to you when you're soloing over an V7 chord. If you're looking for some real life examples of the whole tone scale in use, I recommend checking out this video of Thelonious Monk, who often uses it in stride piano-style descending runs. Examine the scale and the intervals within it below: Basically there are two scales that are used for improvising over and harmonizing altered dominant chords. The half/whole diminished scale. The diminished scale is an eight-note scale that is built by picking a tonic note, and then alternating whole steps and half steps from that starting note. Now, the primary use of the diminished scale, is on dominant chords with possible extensions Home > Symmetric Scales > Whole-Half Diminished Scale. Which one to use really depends on what's appropriate for the tune, and what sounds you personally enjoy the most. Where as DIMINISHED (whole/half) start with a whole step gap, this variation obviously start with a half step gap. THE DIMINISHED SCALE (Half/Whole) is the only mode of the DIMINISHED SCALE. Those are the three whole-half diminished scales. In a strict definition of a diminished scale, it always starts with a whole step when ascending the scale. Half/Whole Diminished Scale Starting on Bb. D Half-Whole Diminished Scale. The H/W Diminished Scale and/or associated chord can be substituted in place of a V7 chord. It contains the intervals 1,b2,b3,3,#4,5,6,b7. The notes in-between act as leading tones to the chord tones. I don’t always think about the scale starting on the root note. The dominant diminished scale is a symmetrical scale: there is a symmetry to the interval construction of the scale (alternating half steps and whole steps). Here is a diminished scale starting on a Bb and beginning with a half tone. Where as DIMINISHED (whole/half) start with a whole step gap, this variation obviously start with a half step gap. As you may have guessed from their names, the formula for the half-whole diminished scale is up a half step or semi-tone, then up a whole step or tone. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. E Whole/Half Diminished for piano. In the video I’ve used the example of a Bb7 chord. Because of that it is also commonly referred to as the whole-half diminished scale. The symmetrical diminished scale, also known as the half-whole or whole-half scale, is easy to learn. Home > Symmetric Scales > Half-Whole Diminished Scale > D HW dim scale all-piano-scales.com en Français. It is more commonly known as the Locrian ♮2 scale,[1] a name that avoids confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). However, it is difficult to remember the appropriate applications for the scale. It is a symmetrical scale in that it follows a distinct pattern of steps, those being whole step, half step in a repeating pattern, not to be confused with the dominant diminished scale which follows a half step, whole step pattern. The Locrian ♮2 scale is commonly used in jazz and some rock. In the key of C, the half-diminished scale built on D is associated with Dm7♭5, which functions as a iiø7 chord in minor (see chord-scale system). Home > Symmetric Scales > Half-Whole Diminished Scale > D HW dim scale. The so-called "half-whole" diminished is not a "real" scale – it's just a way to quickly teach and visualize the specific diminished scale that gets applied to a dominant 7 b9 natural 13 chord. The diminished scale, also known as the whole half scale, is an eight note scale with a numeric formula of 1-2-♭ 3-4-♭ 5-♯ 5-6-7-8/1. Symmetrical Diminished Scale. The chord from the C H/W Diminished Scale is a C7♭9 (C E G B♭ D♭); The chord from the D♭W/H Diminished Scale is a D♭dim7 (D♭ E G B♭) D♭dim7 = Rootless C7♭9. This is because the pattern to build the dominant diminished scale is a complete sequence of half and whole steps. If you made any changes to your settings. That is the beauty of being able to READ music. The half diminished scale is a seven-note musical scale. Write a comment. Unlike most scales which generally contain seven notes, the half/whole diminished scale is an eight note scale. Rank Root Scale Notes Intervals More Info; 1 : A : Half Diminished Scale : A,B,C,D,Eb,F,G … Unlike other scales which contain seven notes, these scales contain eight notes. There are, however, multiple applications for these scales. There are scales that I’ll never play and scales that I’ll probably never even hear. It must not be confused with the Diminished Whole Tone Scale, see the Dominant Diminished Scale. THE DIMINISHED SCALE (Half/Whole) is the only mode of the DIMINISHED SCALE. Whole step/half step diminished scales are the same configuration of notes except that you start the scale with a whole step rather than a half step. The half-whole diminished scale is sometimes referred to as the “auxiliary diminished scale” (again, note the inherent contradiction because some people use the same term for the opposite scale!) It's played over altered dominant chords and has tensions b9, #9 & #11. The scale is sometimes called whole-half scale, or octatonic scale. It's known as a Half Whole when played over Dominant chords. highest pitch string at the top (unless you've tuned your instrument differently.) The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). Symmetrical Diminished Scale. If you keep going up, you will play eight different notes before you reach the octave. a symmetrical scale and alternates between a tone and a semitone. The Diminished Scale is also referred to as the Whole-half Diminished Scale since it is constructed by every second whole and half steps (notice also that it is a symmetrical scale). It is more commonly known as the Locrian ♮2 scale, a name that avoids confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). D Half-Whole Diminished Scale. While, the Whole-Half Diminished Scale is used over a diminished chord. Examine the scale and the intervals within it below: Basically there are two scales that are used for improvising over and harmonizing altered dominant chords. The half-step and whole-step intervals are identified in the first example shown to the right. The scales and patterns shown in this lesson are based on the half-whole versions of the diminished scales. It contains the intervals 1,b2,b3,3,#4,5,6,b7. 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